Join the Party


When we tell our authors that one of the best ways to promote their books (and themselves) is by connecting with other writers, we’re not talking about the “7 Secrets to Mastering Online Networking” or the “10 Most Powerful Networking Skills to Build Rapport Quickly” (although there’s nothing wrong with these approaches if they work for you). What we are talking about is actually joining organized groups of other writers – in your community, online, or both!

We recently joined CWILL BC, a group of published BC children’s writers and illustrators who share, among other things, rights and contract information, conferences and retreats, book deals, launches, and reviews, writing tips, awards, etc. These are real people offering information and experiences with other like-minded creative types who share a common love of writing and illustrating kids’ books. You can decide how engaged you want to be and jump in if a topic resonates with you or if you have something to add to the conversation. There’s no obligation to participate – you can simply be an active “observer.”  

On Facebook, where authors’ groups abound, we’re members of Canada Writes, Women Writers, Women Books, The Write Life Community, and The Indie Author Group. These are not places where we promote our business, ourselves, or our authors (although there are some opportunities to do so within their parameters). So how, then, is this helpful? Through these groups, members have the opportunity to learn a wealth of current, first-hand information about what’s happening in the publishing industry nationally and in specific regions, and more importantly, there are other authors to bounce ideas off of for book concepts, titles, covers, marketing ideas, etc. These are communities where you can share your successes and your failures – even a negative book review. Think of it as one big support group and learning opportunity all in one.

Whether writing is a full- or part-time gig for you, it is solitary by nature, and engaging with other writers will only help to enhance your craft and bolster the success of your book. There’s a village of people out there willing to help you create and market your next book. All you have to do is join the party.

Peanuts! Popcorn! Page-Turner!



When you self-publish a book (and, in many cases, even when you go the traditional route), you need to wear many hats: writer, self-editor, proofreader, design consultant, marketer, publicist, and yes, sales rep. The truth is, you can (and you should) build a team to help you with most of this task list, but when it comes to “selling” your book to stores, well, no one can do that better than you.

Today, even if you have a distributor (there are several Canadian ones that specialize in small press and independently published books), telling bookstores how and why to order your book is still part of your job. Sure, distributors send out catalogues and attend book fairs, but large, personalized sales teams are a thing of the past, and booksellers are inundated with promotional materials and stacks of ARCs (advance reading copies) that they are expected to wade through in order to make their choices. Trust us – they do not have the time or resources to adequately familiarize themselves with all of the new book releases, and that’s where you come in. Nothing gets a bookseller more interested in a new read than having the author right in front of them, delivering a sales pitch for their own book.

When we were in Nanaimo for the Spring Writes Festival, we met with Barbara Pope, owner of The Mulberry Bush bookstores in Parksville and Qualicum for the past 25 years. There was a time, she told us, when sales reps would visit and tell her exactly what she needed to order, stocking both stores completely for her specific clientele. It was that easy. Today, she spends the equivalent of two whole months paging through catalogues, scanning sell sheets, and skip-reading (if time permits) ARCs to choose the right books for her stores. That’s why a personal visit to your local bookstores with a few copies of your book should be at the top of your to-do list. And for those bookstores that are more far-flung (in your province and beyond), mail them a copy, with a personal letter and a sell sheet, then follow up with a phone call.

At The Mulberry Bush, every customer receives a bookmark that says “Thanks for shopping at your local independent bookstore. Here’s what you just did”:

  1. You kept dollars in our community.

  2. You embraced what makes us unique.

  3. You created local jobs.

  4. You contributed to the tax base.

  5. You supported our local schools.

  6. You created more choice.

  7. You took advantage of our expertise.

  8. You supported local and BC authors.

  9. You made us a destination.

  10. You helped our community gifting program.

All good reasons to make sure your book sits on their shelves. Most independent bookstores are supportive of independent authors. After all, it takes an indie to understand an indie. We’re all in this together.

For a comprehensive list of bookstores in BC, visit Read Local BC. For the rest of Canada, click here, or visit the Retail Council of Canada’s Find an Independent Bookstore page.

Thanks for the Rejection

literary rejections.jpg

We’ve all felt the sting of rejection, whether it’s yet another “no thanks” from an agent or publisher, or a “try again” from a writing contest. Writing is such a personal endeavour that perhaps authors feel rejection more keenly than most.

Every writer who has ever published any writing at all has faced rejection. Even Stephen King, in his 22 lessons on how to be a great writer, includes as his second point: “Prepare for more failure and criticism than you think you can deal with.” In fact, King famously collected all his rejection letters and hung them on his wall with a nail – until he received too many to hold. How we deal with rejection – now that’s where it gets interesting and empowering. Think of rejection as a much-needed kick in the pants.

The only stories about rejection worth retelling are those that have a silver lining. A recent article in The Globe and Mail really made us stand up and cheer: “Hooray! A positive story about self-publishing in our ‘oh so traditional’ national newspaper, in the Saturday edition no less!” They had us at the title: “Meet the self-published Canadian cookbook author who outsold Jamie and Ina.”

Greta Podleski’s latest cookbook, Yum & Yummer, has been reprinted twice since its first publication in 2017 and has sold more than 310,000 copies. It was Canada’s top-selling cookbook of 2018, besting new releases by Jamie Oliver, Ina Garten, and Yotam Ottolenghi. Sales of all her cookbooks together tally more than 2.5 million copies. How did this success story begin? Rejection. Having been turned down by every publishing house she approached for her first book, Looneyspoons: Low Fat Food Made Fun, she and her sister Janet went the self-publishing route. For her latest book, she didn’t even consider working with a publishing house: “In hindsight, being rejected by those publishers was the biggest blessing in disguise of my life,” says Podleski. “If we had landed that big publishing deal we were dreaming of, we’d be right back at our day jobs now. Two authors could never survive financially by sharing a modest author royalty.”

So when you’re faced with rejection, instead of wallowing, use it as a reset button to improve your writing, enter another writing contest, polish your manuscript (or toss it and start a new one), or even publish your book yourself. Know that you are in good company and that rejection just might lead to greater things down the road. Here are a few rejection-to-success self-publishing stories to cheer you up: 5 Famous Books You Didn’t Know Were Self-Published and 11 Books That Prove There’s Nothing Wrong with Self-Publishing.